Music · head to head
DistroKid vs TuneCore

DistroKid
Music
Flat annual subscription music distribution where artists keep 100% of streaming royalties
- From
- On request
- Rated
- -

TuneCore
Music
Music distribution owned by Believe, offering both a 0%-royalty annual subscription and an older pay-per-release model side by side
- From
- On request
- Rated
- -
The short version
- Each has a real cost: DistroKid if the annual fee is not paid, DistroKid can pull releases from stores, and only releases with the separate Leave a Legacy add-on are protected from that.; TuneCore tuneCore runs two different pricing structures side by side, and it is easy for a buyer to be quoted or compare against the wrong one for their release frequency.
- They diverge on capability: DistroKid covers Unlimited uploads, TuneCore covers Unlimited uploads on subscription plans.
- Prices and features above were last checked on 1 September 2026.
Where they differ
Only the attributes on which DistroKid and TuneCore actually diverge.
Identical on both: starting price (On request), free tier (No), platforms (Web, iOS, Android), user rating (Not yet rated), category (Music).
What each one covers
Drawn from each product's published feature list. An absence here means we hold no record of it - not that the product lacks it.
Only in DistroKid
- Unlimited uploads
- 0% royalty commission on streaming
- Scheduled release dates
- Leave a Legacy
- Songwriter splits
- YouTube Content ID
Only in TuneCore
- Unlimited uploads on subscription plans
- Pay-per-release legacy option
- 0% royalty commission on streaming stores
- Publishing administration
- Sync licensing marketplace
- Multiple artist profile support
What people use each for
The jobs each tool is most often brought in to do.
DistroKid
- A working artist releasing multiple singles a year who wants to keep 100% of streaming royalties above a flat annual feenot TuneCore
- A songwriter needing automated collaborator splits handled at the point of releasenot TuneCore
- A small label managing several artists under one account using a Label tiernot TuneCore
- An artist who wants their catalogue to survive a lapsed subscription and pays for Leave a Legacy on key releasesnot TuneCore
TuneCore
- A prolific artist releasing many singles a year who benefits from an unlimited-upload subscription over per-release feesnot DistroKid
- An infrequent releaser who prefers paying only for the specific single or album they put out rather than an annual platform feenot DistroKid
- An artist wanting publishing administration and sync licensing submission alongside distribution, from one vendornot DistroKid
- A songwriter managing multiple artist identities who is willing to pay the per-name annual fee for each additional profilenot DistroKid
Where each one falls short
Documented limitations, not opinions. Every one is a constraint you would hit in normal use.
DistroKid
- If the annual fee is not paid, DistroKid can pull releases from stores, and only releases with the separate Leave a Legacy add-on are protected from that.
- The 0% royalty claim applies to streaming stores only; social platform monetisation through TikTok, Instagram and YouTube is charged at a 20% commission.
- Publishing administration, if used, carries its own 20% commission on top of the base subscription.
- Extra artist profiles beyond the one included per plan cost an additional $14.99 a year each, which adds up for artists running side projects.
- Customer support is primarily self-serve and ticket-based rather than a dedicated account manager, which some artists moving from CD Baby’s more service-heavy model find thin.
TuneCore
- TuneCore runs two different pricing structures side by side, and it is easy for a buyer to be quoted or compare against the wrong one for their release frequency.
- The pay-per-release album price rises significantly on renewal, from $44.99 in year one to $56.49 in subsequent years, which is not obvious from the headline price.
- As with DistroKid, the 0%-royalty claim covers streaming stores only; social monetisation and publishing administration both carry a 20% commission.
- Ownership by Believe means TuneCore’s roadmap and priorities sit within a larger corporate group whose other artist-services brands can create channel conflicts or bundling pressure.
- Additional artist profiles carry a recurring annual fee, so an artist running several projects under different names pays materially more than the headline single-artist price suggests.
Pricing, plan by plan
DistroKid
On request- Musician$24.99/year
- Unlimited uploads, 0% royalty commission on streaming stores
- No custom release scheduling
- Musician Plus$44.99/year
- Scheduled release dates, daily stats
- Custom label name, multiple artist names
- Ultimate$89.99/year
- Everything in Musician Plus
- Higher-tier support and additional artist management features
- Label plans$undefined/year
- Label 5, Label 10 and Label 25 tiers for multiple managed artists
TuneCore
On request- Rising Artist (subscription)$24.99/year
- Unlimited uploads, 0% royalty commission on streaming
- Breakout Artist (subscription)$44.99/year
- Unlimited uploads, additional distribution features
- Professional (subscription)$54.99/year
- Unlimited uploads, full feature set
- Pay-per-release: Single$24.99/year
- One track, renews annually to keep it live
Which should you pick?
Choose DistroKid if
- You need unlimited uploads.
- You work on Web, iOS, Android.
- You also want 0% royalty commission on streaming.
Choose TuneCore if
- You need unlimited uploads on subscription plans.
- You work on Web, iOS, Android.
- You also want pay-per-release legacy option.
Questions people ask
- Is DistroKid or TuneCore better?
- Neither clearly leads. DistroKid starts at On request and TuneCore at On request, and user ratings are close enough to be indistinguishable. Choose on capability and platform support.
- Which is cheaper, DistroKid or TuneCore?
- DistroKid starts at On request and TuneCore at On request.
- Does DistroKid or TuneCore run on more platforms?
- Both run on Web, iOS, Android, so platform support will not decide this one for you.
- What is DistroKid best used for?
- DistroKid is most often used for a working artist releasing multiple singles a year who wants to keep 100% of streaming royalties above a flat annual fee, a songwriter needing automated collaborator splits handled at the point of release, a small label managing several artists under one account using a label tier, an artist who wants their catalogue to survive a lapsed subscription and pays for leave a legacy on key releases. Of those, a working artist releasing multiple singles a year who wants to keep 100% of streaming royalties above a flat annual fee and a songwriter needing automated collaborator splits handled at the point of release are not what TuneCore is typically brought in for.
- What can DistroKid do that TuneCore cannot?
- DistroKid covers Unlimited uploads, 0% royalty commission on streaming, Scheduled release dates, Leave a Legacy. TuneCore covers Unlimited uploads on subscription plans, Pay-per-release legacy option, 0% royalty commission on streaming stores, Publishing administration.
Answered from the vendors’ own pages
DistroKid: Does DistroKid really take 0% of royalties?
On core streaming store royalties, yes. It takes 20% on social platform monetisation (TikTok, Instagram, YouTube) and 20% on publishing administration if used.
TuneCore: Which pricing model should I use, subscription or pay-per-release?
If you release more than one or two records a year, the unlimited subscription is usually cheaper; infrequent releasers may prefer paying per release.
DistroKid: What happens if I stop paying?
Your releases can be removed from stores. Leave a Legacy is a per-release add-on that keeps specific releases live regardless of subscription status.
TuneCore: Who owns TuneCore?
Believe, a French independent music company, has owned TuneCore since 2015.
DistroKid: Is there a free tier?
No. Every tier is a paid annual subscription; there is no free plan.
TuneCore: Does TuneCore take a cut of streaming royalties?
No, on both the subscription and pay-per-release models you keep 100% of streaming store royalties; social platforms and publishing administration are commissioned separately.
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