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Music · head to head

Cubase vs Shazam

Cubase logo

Cubase

Music

Steinberg workstation with the strongest score editor of any DAW, now licensed without a USB dongle

From
$99.99/one-time
Rated
-
Shazam logo

Shazam

Music

Apple-owned song identification app, free with no ads or in-app purchases

From
Free
Rated
-

The short version

  • Only Shazam has a free tier, so it costs nothing to try first.
  • Each has a real cost: Cubase steinberg Licensing ties activations to an account across up to three machines, so an isolated or air-gapped studio computer needs the offline activation procedure rather than a carried dongle, and that procedure must be repeated whenever the hardware is rebuilt.; Shazam the app has no revenue of its own and exists structurally to drive Apple Music engagement, so its continued investment and feature direction depend entirely on how useful Apple finds it as a funnel rather than on its own standalone business case.
  • They diverge on capability: Cubase covers Score editor, Shazam covers Audio fingerprint matching.
  • Prices and features above were last checked on 1 September 2026.

Where they differ

Only the attributes on which Cubase and Shazam actually diverge.

Attributes where Cubase and Shazam differ
AttributeCubaseShazam
Starting price$99.99/one-timeFree
Pricing modelOne-time purchaseFree, no ads and no in-app purchases; funded as an Apple Music discovery funnel
Free tierNoYes
PlatformsWindows, macOSiOS, Android, Web

Identical on both: user rating (Not yet rated), category (Music).

What each one covers

Drawn from each product's published feature list. An absence here means we hold no record of it - not that the product lacks it.

Only in Cubase

  • Score editor
  • Expression maps
  • VariAudio
  • Chord Track and Chord Pads
  • Logical Editor
  • Video track
  • Steinberg Licensing
  • MixConsole

Only in Shazam

  • Audio fingerprint matching
  • Offline tagging queue
  • Apple Music integration
  • Shazam charts
  • Lyrics display
  • Shazam widget and Control Centre integration

What people use each for

The jobs each tool is most often brought in to do.

Cubase

  • Writing to picture where the deliverable includes printed parts as well as a mix, because the score comes from the same project rather than a MIDI exportnot Shazam
  • Driving large orchestral sample libraries, where expression maps turn articulation switching into notation instead of hidden keyswitch lanesnot Shazam
  • Studios standardised on Steinberg or Yamaha hardware, where control surface integration is already builtnot Shazam
  • Replacing a dongle based Cubase installation, where the reason to upgrade is removing the USB key as a single point of failurenot Shazam

Shazam

  • Someone hearing an unfamiliar song in a shop, cafe or on the radio and wanting to identify it instantlynot Cubase
  • A user wanting identified songs automatically saved into an Apple Music library or playlistnot Cubase
  • Someone using the offline tagging queue while without signal, resolving matches laternot Cubase
  • A listener browsing Shazam trending charts to discover what is being identified most in their citynot Cubase

Where each one falls short

Documented limitations, not opinions. Every one is a constraint you would hit in normal use.

Cubase

  • Steinberg Licensing ties activations to an account across up to three machines, so an isolated or air-gapped studio computer needs the offline activation procedure rather than a carried dongle, and that procedure must be repeated whenever the hardware is rebuilt.
  • Elements and Artist withhold features most buyers eventually need, including the top VariAudio tier and full surround work, so the realistic price is the Pro edition rather than the entry figure.
  • Projects saved in a newer version cannot be opened in an older one, so studios collaborating with clients on mixed versions have to standardise, and paid upgrades arrive roughly once a year.
  • There is no Linux build and no stated plan for one, so the platform choice is Windows or macOS only and a Linux studio is excluded outright.
  • The interface carries three decades of accumulated windows and dialogs spread across the Project window, MixConsole, Key Editor and Score Editor, so the learning curve is considerably longer than Live or Logic for a new user.

Shazam

  • The app has no revenue of its own and exists structurally to drive Apple Music engagement, so its continued investment and feature direction depend entirely on how useful Apple finds it as a funnel rather than on its own standalone business case.
  • Identification requires either a live audio sample or a stored recording, and it performs poorly on very quiet, heavily remixed, or non-commercially released audio where no fingerprint match exists in the database.
  • Saved tags and playlists are tied to an Apple ID even on Android, meaning non-Apple users still create Apple ecosystem account data by using the app.
  • It offers no music playback of its own beyond short previews or an Apple Music handoff, so a non-Apple Music subscriber cannot play a full identified track inside the app itself.
  • As an owned subsidiary of Apple rather than an independent company, there is no separate roadmap transparency or company reporting, so its longevity and feature set are subject to Apple's wider strategic priorities rather than its own user base.

Pricing, plan by plan

Cubase

$99.99/one-time
  • Cubase Elements$99.99/one-time
    • Perpetual licence
    • Capped audio, MIDI and instrument track counts
    • Reduced editing and mixing tool set
  • Cubase Artist$329.99/one-time
    • Perpetual licence
    • Higher track limits than Elements
    • Score editor included
  • Cubase Pro$579.99/one-time
    • Perpetual licence
    • Unlimited tracks
    • Full score editor, expression maps and surround

Shazam

Free
  • ShazamFree
    • Unlimited song identification
    • No ads shown within the identification experience
    • No premium tier exists

Which should you pick?

Choose Cubase if

  • You need score editor.
  • You work on Windows, macOS.
  • You also want expression maps.

Choose Shazam if

  • You need audio fingerprint matching.
  • You want to start without paying.
  • You work on iOS, Android, Web.
  • You also want offline tagging queue.

Questions people ask

Is Cubase or Shazam better?
Neither clearly leads. Cubase starts at $99.99/one-time and Shazam at Free, and user ratings are close enough to be indistinguishable. Choose on capability and platform support.
Which is cheaper, Cubase or Shazam?
Shazam has a free tier; the other does not. Paid plans start at $99.99/one-time for Cubase and Free for Shazam.
Does Cubase or Shazam run on more platforms?
Cubase runs on Windows, macOS. Shazam runs on iOS, Android, Web.
Can I use Shazam for free?
Yes. Shazam has a free tier, so you can try it without paying. Cubase starts at $99.99/one-time.
What is Cubase best used for?
Cubase is most often used for writing to picture where the deliverable includes printed parts as well as a mix, because the score comes from the same project rather than a midi export, driving large orchestral sample libraries, where expression maps turn articulation switching into notation instead of hidden keyswitch lanes, studios standardised on steinberg or yamaha hardware, where control surface integration is already built, replacing a dongle based cubase installation, where the reason to upgrade is removing the usb key as a single point of failure. Of those, writing to picture where the deliverable includes printed parts as well as a mix, because the score comes from the same project rather than a midi export and driving large orchestral sample libraries, where expression maps turn articulation switching into notation instead of hidden keyswitch lanes are not what Shazam is typically brought in for.
What can Cubase do that Shazam cannot?
Cubase covers Score editor, Expression maps, VariAudio, Chord Track and Chord Pads. Shazam covers Audio fingerprint matching, Offline tagging queue, Apple Music integration, Shazam charts.

Answered from the vendors’ own pages

Cubase: Does Cubase still need a USB dongle?

No. From Cubase 12 onwards Steinberg Licensing replaced the eLicenser. Activation runs through the Steinberg Activation Manager on up to three computers.

Shazam: Is Shazam free?

Yes, fully free with no ads, subscription or in-app purchases.

Cubase: Can I run Cubase on a computer with no internet access?

Yes, but through the offline activation path in the Activation Manager rather than a normal sign in, and you repeat it if the machine is rebuilt. Test it before committing an isolated scoring rig.

Shazam: Do I need Apple Music to use Shazam?

No, identification works without an Apple Music subscription, though full track playback of an identified song requires either Apple Music or another music service.

Cubase: Is Cubase a subscription?

No. Editions are bought outright and keep working. Steinberg charges separately for version upgrades, which appear roughly once a year.

Shazam: Who owns Shazam?

Apple, which acquired it in 2018.

Cubase: Which edition do I need for scoring work?

Pro. Artist includes a score editor, but Pro is the edition with the full engraving, expression map and surround feature set that media work assumes.

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