Music · head to head
CD Baby vs DistroKid

CD Baby
Music
Music distribution charging an upfront per-release fee plus a permanent 9% commission on royalties, now owned by Universal Music Group
- From
- On request
- Rated
- -

DistroKid
Music
Flat annual subscription music distribution where artists keep 100% of streaming royalties
- From
- On request
- Rated
- -
The short version
- Each has a real cost: CD Baby the 9% commission is permanent and cannot be bought out, so an artist with growing streaming income pays CD Baby more every year indefinitely, unlike a flat subscription fee.; DistroKid if the annual fee is not paid, DistroKid can pull releases from stores, and only releases with the separate Leave a Legacy add-on are protected from that.
- They diverge on capability: CD Baby covers One-time per-release fee, DistroKid covers Unlimited uploads.
- Prices and features above were last checked on 1 September 2026.
Where they differ
Only the attributes on which CD Baby and DistroKid actually diverge.
Identical on both: starting price (On request), free tier (No), platforms (Web, iOS, Android), user rating (Not yet rated), category (Music).
What each one covers
Drawn from each product's published feature list. An absence here means we hold no record of it - not that the product lacks it.
Only in CD Baby
- One-time per-release fee
- Permanent royalty retention
- CDB Boost
- Royalty collection
- Social monetisation
- DIY musician tools
Only in DistroKid
- Unlimited uploads
- 0% royalty commission on streaming
- Scheduled release dates
- Leave a Legacy
- Songwriter splits
- YouTube Content ID
What people use each for
The jobs each tool is most often brought in to do.
CD Baby
- An artist who releases rarely and wants to pay once with no risk of losing distribution over a missed renewalnot DistroKid
- A musician comfortable trading a permanent 9% royalty cut for the certainty of never facing a subscription lapsenot DistroKid
- An artist wanting publishing administration and sync submission bundled through the optional CDB Boost add-onnot DistroKid
- A legacy CD Baby user with an existing catalogue who prefers not to migrate to a subscription-based competitornot DistroKid
DistroKid
- A working artist releasing multiple singles a year who wants to keep 100% of streaming royalties above a flat annual feenot CD Baby
- A songwriter needing automated collaborator splits handled at the point of releasenot CD Baby
- A small label managing several artists under one account using a Label tiernot CD Baby
- An artist who wants their catalogue to survive a lapsed subscription and pays for Leave a Legacy on key releasesnot CD Baby
Where each one falls short
Documented limitations, not opinions. Every one is a constraint you would hit in normal use.
CD Baby
- The 9% commission is permanent and cannot be bought out, so an artist with growing streaming income pays CD Baby more every year indefinitely, unlike a flat subscription fee.
- It is now owned by Universal Music Group following the 2026 Downtown Music Holdings acquisition, which sits awkwardly against its original positioning as an independent alternative to major labels.
- Sync placements CD Baby secures on an artist’s behalf carry up to a 40% commission, among the highest cuts in the category.
- Social platform monetisation is commissioned at 30%, higher than DistroKid’s or TuneCore’s 20%.
- The one-time fee model looks cheaper upfront than a subscription, but for any artist with meaningful and growing streaming revenue the compounding 9% cut typically costs more over a few years.
DistroKid
- If the annual fee is not paid, DistroKid can pull releases from stores, and only releases with the separate Leave a Legacy add-on are protected from that.
- The 0% royalty claim applies to streaming stores only; social platform monetisation through TikTok, Instagram and YouTube is charged at a 20% commission.
- Publishing administration, if used, carries its own 20% commission on top of the base subscription.
- Extra artist profiles beyond the one included per plan cost an additional $14.99 a year each, which adds up for artists running side projects.
- Customer support is primarily self-serve and ticket-based rather than a dedicated account manager, which some artists moving from CD Baby’s more service-heavy model find thin.
Pricing, plan by plan
CD Baby
On request- Single$9.99/month
- One-time upfront fee per single
- 9% commission on digital royalties, permanent
- Album$14.99/month
- One-time upfront fee per album
- 9% commission on digital royalties, permanent
- CDB Boost$39.99/month
- Optional per-release add-on for publishing and sync submission
DistroKid
On request- Musician$24.99/year
- Unlimited uploads, 0% royalty commission on streaming stores
- No custom release scheduling
- Musician Plus$44.99/year
- Scheduled release dates, daily stats
- Custom label name, multiple artist names
- Ultimate$89.99/year
- Everything in Musician Plus
- Higher-tier support and additional artist management features
- Label plans$undefined/year
- Label 5, Label 10 and Label 25 tiers for multiple managed artists
Which should you pick?
Choose CD Baby if
- You need one-time per-release fee.
- You work on Web, iOS, Android.
- You also want permanent royalty retention.
Choose DistroKid if
- You need unlimited uploads.
- You work on Web, iOS, Android.
- You also want 0% royalty commission on streaming.
Questions people ask
- Is CD Baby or DistroKid better?
- Neither clearly leads. CD Baby starts at On request and DistroKid at On request, and user ratings are close enough to be indistinguishable. Choose on capability and platform support.
- Which is cheaper, CD Baby or DistroKid?
- CD Baby starts at On request and DistroKid at On request.
- Does CD Baby or DistroKid run on more platforms?
- Both run on Web, iOS, Android, so platform support will not decide this one for you.
- What is CD Baby best used for?
- CD Baby is most often used for an artist who releases rarely and wants to pay once with no risk of losing distribution over a missed renewal, a musician comfortable trading a permanent 9% royalty cut for the certainty of never facing a subscription lapse, an artist wanting publishing administration and sync submission bundled through the optional cdb boost add-on, a legacy cd baby user with an existing catalogue who prefers not to migrate to a subscription-based competitor. Of those, an artist who releases rarely and wants to pay once with no risk of losing distribution over a missed renewal and a musician comfortable trading a permanent 9% royalty cut for the certainty of never facing a subscription lapse are not what DistroKid is typically brought in for.
- What can CD Baby do that DistroKid cannot?
- CD Baby covers One-time per-release fee, Permanent royalty retention, CDB Boost, Royalty collection. DistroKid covers Unlimited uploads, 0% royalty commission on streaming, Scheduled release dates, Leave a Legacy.
Answered from the vendors’ own pages
CD Baby: Does CD Baby ever take a subscription fee?
No, it charges a one-time upfront fee per release, but keeps a permanent 9% commission on royalties with no way to remove it.
DistroKid: Does DistroKid really take 0% of royalties?
On core streaming store royalties, yes. It takes 20% on social platform monetisation (TikTok, Instagram, YouTube) and 20% on publishing administration if used.
CD Baby: Who owns CD Baby now?
Universal Music Group, following its February 2026 acquisition of Downtown Music Holdings, CD Baby’s previous owner.
DistroKid: What happens if I stop paying?
Your releases can be removed from stores. Leave a Legacy is a per-release add-on that keeps specific releases live regardless of subscription status.
CD Baby: What happens if I never pay again after the initial fee?
Releases stay distributed since there is no recurring distribution fee; the ongoing 9% commission is deducted automatically from royalties as they are earned.
DistroKid: Is there a free tier?
No. Every tier is a paid annual subscription; there is no free plan.
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